[>> Download Abeille Fonts

Abeille is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that Abeille is fantastic and worthwhile for you.

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Abeille means bee in French. I am a little worried about the world’s bee populations, as whole colonies collapse due to monoculture and pesticides. I have planted many bee-attracting plants in my garden and even put up a ‘bee hotel’ (which is full of tenants right now).Abeille is a hand drawn didone-ish font, kind of cute and happy, very legible and full of character. Abeille comes with a swarm of diacritics.

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[**] Download Bommer Sans Fonts

Bommer Sans is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that Bommer Sans is fantastic and worthwhile for you.

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Bommer Sans is a warm and friendly type with a distinguishable look. It has been designed to add our twist to the flavour of English humanistic sans serif typefaces. Bommer Sans works like a charm for editorial, headlining, exhibition, signage and wayfinding projects. The big x-height and ascenders close to cap height favor tighter interlinear spacing. The ‘Q’ tail, resting on the baseline, is an invitation to play vertical, stacking lines of caps. Curved strokes on the ‘i’, ‘k’, ‘l’, ‘K’ and ‘R’ bring a friendly touch without compromising the sturdy structure, a marked characteristic of the design of the figure set. With seven weights in the upright and its matching italics, Bommer Sans has 14 styles and is part of the Bommer family. Check Bommer Slab for a great companion!

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[} Download Architype Stedelijk Fonts

Architype Stedelijk We are and so proud to introduce our very best font to you. This Architype Stedelijk is the successful outcomes of our company trial regarding font invention that will satisfy the customer and provide the better result in comparison with any font in the marketplace nowadays.


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This is valuable to suit your needs because it can help you to produce decision to use each of our Architype Stedelijk or not and it’s the true feedback from real users with no adjusting or making up in the positive feedback. Don’t wait to try our important font and you will understand why we recommend it to you.

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Architype Crouwel is a collection of typefaces created in collaboration with Wim Crouwel, following his agreement with The Foundry, to recreate his experimental alphabets as digital fonts. Crouwel’s most recognized work was for the Van Abbe and Stedelijk museums (1954 –72) where he established his reputation for radical, grid-based design. More… Stedelijk first appeared in the seminal Vormgevers poster, commissioned by the Stedelijk Museum, Amsterdam in 1968. Crouwel created a rigid grid system across the poster of 57 vertical by 41 horizontal lines, also forming the basis for the construction of the letterforms. Although all hand drawn, the resulting typeface had a machine-made appearance. This striking black and white poster with its visible grid became one of Crouwel’s most iconic designs. Architype Stedelijk now re-creates these letterforms as a single alphabet typeface in a digital font.

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[##] Download Architype Bill Fonts

Architype Bill is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that Architype Bill is fantastic and worthwhile for you.

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Architype Universal is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals underpin the design philosophies of the modernist movement in Europe. Their ‘universal’, ‘single alphabet’ theory limits the character sets. Architype Bill was developed from the few letterforms created by Max Bill for a 1949 exhibition poster. All the forms, with the exception of the letter ‘o’, were constructed using only straight lines and triangles on a purely mathematical basis, that showed the continued influence of his earlier Bauhaus training, and the universal alphabet principle.

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